As most of you know, I am a painter, an artist, a teacher. I try to stay focused on being an oil painter, but sometimes I go off and experiment with different media (types of art). Recently I had a show in Langley and showed some work that was an offshoot in a different direction. I sold eleven pieces. This made me ponder. Was I working in the wrong medium—oil? Why was the new medium so popular, was it the subject or the medium? Or is it the price?
I am still asking myself these questions as I now have just hung a new show at the Flower House Café in Bayview on Whidbey Island. I will see what kind of response these pieces receive in the new location.
My experiment is with encaustics, a form of painting on a rigid substrate with wax. It is a very old technique, but one that is new to me. I have experimented a little in the past, but not tried to sell any until last summer when I did a series on crows.
I know, crows are popular subjects and maybe the popularity of the paintings was because of the subject and not the medium. Crows are the thief that stole the sun according to northwest native legend. They have always been mysterious. People actually like them, city people. Farmers like me find them a nuisance. They get into the chicken house and steal the eggs, they steal the kitchen scraps I give the chickens, they eat the friendly garter snake which is a beneficial member of my garden’s ecological community, they steal bird eggs and baby birds. They steal shiny objects (like the sun). They are messy. They wash their “kill” in my birdbaths leaving body parts and entrails to pollute the water. Yuk! Right now they are fighting over a rabbit carcass in the street. I can hear them inside my house over the howl of the wind outside.
Be that as it may, they were popular paintings and sold well, so I have created more and they are showing until the beginning of June at the Flower House Café (http://www.bayviewfarmandgarden.com/flower-house-cafe.html).
Since encaustics have drips around the edges and I like the look of the drips, they become problematic for framing. I mount them on a painted black board to feature the irregularities of the edges. It works for me and keeps the framing costs to a minimum, thus I can sell each piece cheaply, which may be another reason why they sell so well. My oil paintings need to be framed and are considerably more expensive. We will see how it goes.
If you have a chance, be sure to see the show.